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Sublime

(22)
Sublime
Biography
Gender:
Female
Age:
22
Ethnicity:
Indian
Nationality:
Sublime
Hair color:
Black
Hair Length:
Long
Eye color:
Green
Height:
181 cm
Weight:
56 kg
Sexual Orientation:
Heterosexual
Services Offered For:
Men
Couples
Dress size:
L
Shoe size:
36
Cup size:
F
Breast:
Natural
Pubic hair:
Shaved mostly
Tattoo:
Yes
Piercings:
No
Smoking:
Occasionally
Drinking:
Occasionally
Languages:
English
Chinese
Japanese
Turkish
Available for:
Incall: Club/Studio
Outcall: pre-bookings only! no short notice available!
Services

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Comments 4

DOW-NET

2/18/2019

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prodigality

2/25/2019

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whaling

2/19/2019

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hydrase

2/18/2019

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About me

Nikolaj Aleksandrovič Jarošenko

I mean, I really, really love it. I love its symmetry, ubiquitousness, and dependability. Nevertheless, I get a fantastic rush when equations balance and the numbers make sense, and I manage to glimpse through them a small facet of the cosmic order. I am no a mathematician, however, I am simply an artist. This free and most spontaneous of professions is in many ways the antithesis of mathematics. This, of course, is a gross oversimplification, as the arts and sciences have often joined in spectacular fashion, but it is nevertheless important to point out that they do not always make for the most comfortable of bedfellows. Perhaps it is my love of these two opposing subjects that is at the root of my desire to join seemingly contradictory, but also complimentary streams of thought in my works. In my current body of work, I paint figures contorted into the impossible angles of an asana, or yoga posture, realized in thin, translucent layers of oil paint on mylar, and interposed with flat, inorganic geometric forms. My intention is to capture the muscular tension of the body during the physically demanding act of yoga, and the hopefully still nature of the meditative mind. To that end I paint figures of classical, heroic proportions, and overlay geometric shapes that are derived from the proportions and symbolism of sacred geometry, and the architectural design of centrally planned churches in the Renaissance.

Il padre, tuttavia, non ritenendo la passione del figlio frutto di un talento da coltivare, decise di fargli seguire le tradizioni militari di famiglia e nel lo iscrisse al Corpo dei cadetti di Poltava. Fu sua premura incoraggiare il bambino, che vedeva dotato, a non rinunciare al sogno di essere un artista. Al Primo corpo dei cadetti, la quarta compagnia si era ribellata al suo comandante, esprimendo il proprio malcontento con schiamazzi, fischi e trepestio.

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